The Imaginary 20th Century

by: Norman M. Klein, Margo Bistis

I20C

About The Imaginary 20th Century

The Imaginary 20th Century is a comic interactive historical novel, written by Norman M. Klein and Margo Bistis, and published by the media museum ZKM.  With a team of artists, the authors have invented a unique narrative engine where facts and fiction split off and return to each other. The viewer accompanies the characters across three continents.

In 1901, a young woman named Carrie, while traveling in Europe, selects four men to seduce her, each with a version of the coming century.  Inevitably, the future spills off course.  We navigate through the suitors’ worlds; follow Carrie on her misadventures; explore what she and her lovers are instructed to forget. Gradually we discover that Carrie’s life is implicated in her uncle’s world of business and political espionage. For over forty years, Harry Brown was hired by oligarchs to erase crimes that might prove embarrassing.  Thus, as he often explains, espionage is a form of seduction.

The Imaginary 20th Century is at once a comic picaresque and a treatise on the twentieth century.  As the companion to the ebook, the narrated media archive features 2,200 rare visual artifacts, sounds, and texts.  These components work together as a single ‘wunder-roman’, with its reveals and contradictions.

The Imaginary 20th Century is a playful and yet deadly serious meditation on one sentence: “the future can only be told in reverse.”

 

Preview the Imaginary 20th Century

Norman M. Klein

The author of the award-winning media novel Bleeding Through: Layers of Los Angeles, 1920-1986 (2003).   A novelist, media and urban historian, his other works include The History of Forgetting: Los Angeles and the Erasure of Memory; 7 Minutes: The Life and Death of the American Animated Cartoon; The Vatican to Vegas: A History of Special Effects; Freud in Coney Island and Other Tales; and the forthcoming book A History of the Present: The Dismantling of the American Psyche.  He teaches at California Institute of the Arts.

Margo Bistis

A cultural historian and curator. She has published essays on philosophical  modernism, caricature and urban culture, and is the author of a forthcoming book, Fanfare for Bergson’s Ideas: Popular Enlightenment Culture in the Age of Mass Literacy. She teaches at Art Center College of Design.

Images from the Narrated Media Archive

What must be one of the main amusements for Martians.<br>
'The Call of Another World' by Charles Torquet, ills. by Henri Lanos. <i>Je sais tout</i>, February-July 1908. Ice in a coal mine.<br>
American Photographic Postcard Collection, circa 1900-20. Research Library, The Getty Research Institute, Los Angeles. More on Carrie's preciptous uncle.  His beginnings, early criminal erasures. Watching the world about to explode. In the caves of the Peloponnesus, a first warning sign goes unnoticed.  Carrie meets her first suitor.  Geniuses bake in the sun at the International Science and Crafts movement. Steelmill Poldihutte, circa 1915.<br> Netherlands Filmmuseum. <i>Röntgen Rays and Electro-Therapeutics</i> by Mihran Krikor Kassabian, 1910. A transportable security tower enabling heads of state to assist in the operations of war without running any risk.<br> <i>Caras y Caretas</i>, 1915. Parade of unemployed, May 31, 1909.<br> George Grantham Bain Collection. Library of Congress, Prints & Photographs Division, LC-USZ62-22194. <i>Roadtown</i> by Edgar Chambless, 1910.<br>  A scientific prophecy of the dwellings of tomorrow. <i>Flying Machines Today</i> by William Duane Ennis, 1911. Star Theater, New York, 1902.<br> American Mutoscope and Bioscope, 1902. Archival Film and Video Materials from the Collections of the Library of Congress. <i>Simplicissimus</i>, November 13, 1911. James Montgomery Flagg, <i>Life</i>, 1905. Joseph Keppler, <i>World's Fair Puck</i>, September 11, 1893. <i>A Journey In Other Worlds: A Romance of the Future</i> by John Jacob Astor, 1894. Nitka Collection of Fantastic Fiction, The Charles E. Young Research Library Department of Special Collections, UCLA. Hand-painted sound.<br>
American Photographic Postcard Collection, circa 1900-20. Research Library, The Getty Research Institute, Los Angeles.

Exhibitions

  • The Future of the Future, curated by Jaroslav Andel, DOX Center for Contemporary Art, Prague, 28 July- 24 October 2010.
  • The Future Imaginary, curated by Tom Leeser & Meg Linton. Sound installation and works by eleven artists responding to The Imaginary 20th Century. Ben Maltz Gallery, Otis College of Design, Los Angeles, 24 January- 30 March 2009.
  • YOU_ser. The Century of the Consumer, curated by Peter Weibel. ZKM/Center for Art and Media, Karlsruhe, 21 October 2007- 31 December 2008.
  • The Imaginary 20th Century, Orange Lounge, Orange County Museum of Art, Costa Mesa, 19 January- 27 April 2008.
  • The Imaginary 20th Century, ShowKonstfack, Stockholm, 6-26 October 2008.

Reviews (Norman M. Klein)

Part of Klein’s intention is to expose the artifice of storytelling by uncovering the background, what Don DeLillo calls the ‘underhistory’—the invisible material that readers never see. At the same time, Klein is after something more expansive, a form in which resolution is less important than possibility.

David Ulin, Los Angeles TimesReview of Bleeding Through: Layers of Los Angeles

This is the definitive exploration of the successive layers of erection and erasure that have been laid down over LA in the past 130 years, and of the narrative fantasies, political fables, morality tales and personal histories that were made manifest in clapboard and cantilevered steel, and then demolished.

Manchester GuardianReview of The History of Forgetting: Los Angeles and the Erasure of Memory

Norman Klein, in his remarkable Seven Minutes: The Life and Death of the American Animated Cartoon, has accomplished what is by no means a minor miracle … the work is erudite, witty, comprehensive and just plain fun.

Chuck Jones

This is an extraordinary book in many respects … Its scope is breathtaking: Klein has undertaken nothing less than a history of what we moderns sweepingly call ‘special effects’ but which include an astonishing array, dating back many centuries…

Stephen Behrendt, Quarterly Review of Film and VideoReview of The Vatican to Vegas: A History of Special Effects

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